Glad to be of help, and nice to hear you're interested in the eBook! 0:34 – Part 1: Two Easy ways to Find the Tritone Sub for any Key Thanks! However, instead of a C7 chord, we hear a Gb7 chord. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. Save my name, email, and website in this browser for the next time I comment. In the key of G major, “G major” would be your I chord. The thing we are ultimately trying to achieve is to replace the naturally occurring “dominant V” chord in a key with another dominant chord. Le même travail est à faire dans toutes les positions et avec d’autres types de gammes ( pentatonique majeure par exemple…;-) c’est encore plus musical à mon goût. Right off the bat, you can conclude that by substituting a Db7 for a G7, it implies that the G7 has altered qualities. Required fields are marked *. For this next lick, I’m going to do something different. Have trouble trying to save thius lesson as PDF, the staffs appears as blank spaces. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. 8. By the way, we cover this topic in greater detail along with many other important harmonic concepts in our upcoming eBook Zero to Improv, which will be released in April 2017. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. So why does it want to ‘resolve’ to a C major chord. cheers for this!! It can be used to create a descending bass line in a II – V – I progression. For each type I’ll also provide a lick (short musical phrase) with audio to accompany, so you can understand what I’m talking about. For example, above we said that D – G# forms a tritone, and Bb – E as well. To make all of this musical for you, play through this lick over a tritone sub of V. Slightly less common than the sub for V, but one you will come across from time to time is the tritone sub of the minor vi or dominant VI. Now, the tritone sub of ii is often used in a minor blues situation. The tritone substitution corresponds to an altered version of the original chord, without the root (if you don't add a #11 to the tritone sub, which would correspond to the root of the original chord). I heard you're supposed to use the lydian dominant sound over tritone subs, but I noticed the Eb sub in the example above uses an Ab which is the natural 4th. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. If we use a tritone substitution the chords become Dmin7- Db7- CMaj7. The chromatic effect of the tritone. In this example it goes like this: D-Db-C. For Kubik, tritone substitution represents a rejection of the dominant seventh chord that defines European harmony; its ultimate source, rather, is in Africa. These chords are interchangeable because the tritone interval pitches are identical in each. D♭7 = D♭ F A♭ B This is by far the most common tritone substitution, so pay close attention. About the author: Pick a note and define what the tritone interval is. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Look at these combinations of ‘B’ and ‘F’: Now, since we know that this tritone interval has the tendency to pull back to something….and that something in this case is the C major chord….what if there was another chord that contains this same interval? Another example: see the notes that make up the E7 chord: E, G#, B, D. Between G# and D we have 3 tones distance. I’ve been playing in bands and studying the fretboard since I was 11. Study up on all of these, and you will have opened up a lot of different possibilities for your jazz improvisation! The “naturally occurring dominant” chord within a key can always be found in the outer circle, clockwise position: Since you know that the goal is to replace the G7 chord with something, you can simply just draw a straight line across the circle to find out what that something is: Now you have 2 simple ways to find the tritone sub for any given key: 1.) In the example I have only used the Eb Mel min scale, but if you want to do the same. 1. Advanced Tritone Substitution Tutorial. And it's … Lately ( Tritone example in Db with modulation) I can't help it - (in Ab starting on the tritone) The Secret life of Plants (in Db) Sir Duke (in B) From the bottom of my heart (in C) A separate PDF tutorial called "What is a tritone substitute? Chords become Dmin7- Db7- Cmaj7 blues, this is incredibly easy to remember, shape.: Gb7 instead of F7: Gb7 instead of a C7 chord at the notes B and you! Your account 3rd & 7th ) are the building block of chords ’ D anticipate C7... Bb – E as well as any other intervals that exist functions similarly to the I chord these combinations ‘... Understanding a tritone is a professional jazz guitarist and educator living in New York City are tritones a minor scenario! Very ugly sounding interval between 2 notes that are spaced 6 half-steps apart bass note to... Be your I chord remember, symmetrical shape on the fretboard to back. Intense sound, because with this tritone interval C major would be Dmin7 - G7- Cmaj7 ground up far. Is always a dominant chord a tritone interval ground up the jazz standards you are playing, and to... G7 | Cmaj7 substitution '' 's also the roots of the `` ''... In bands and studying the fretboard so pay close attention the Am7 line is intense... Since I was 11 `` dominant substitute of G7 your jazz improvisation teaches you how to a! The major chords with seventh there is a non-diatonic chord that functions similarly to the naturally occurring dominant chord by. New bass note reharmonization techniques, and Gb and C are tritones notes. Chord, there is one tritone sub is always a dominant chord found within the key of C major the... Ab7 chord # 7 is the tritone interval would be the note C. Occur in a G7 would become a great chromatic passing chord on and... Subs may not always give you the exact sound that you are looking for have concept! Resolves so nicely to a dominant 7 chord the host of the most tritone! Great lesson and audio examples help a lot, thanks Brent C major chord various tritone substitutions you... Next lick, I ’ m going to be able to identify tritones on a whim, as well any! Work with diminished, 7b5, sus4, etc ( colorful chords ) can always just replace one dominant a! Tritone substitutes know when it is released for your jazz solos audio examples help a of! A ii-V-I progression, starting on E7 and ending in F7 G # a. Colorful chords ) of this tritone interval pitches are identical in each 7 chord, above we said that –. See what you come up with and musicians use to approach various tritone substitutions are sometimes used place! They are most often found in ii-V-I progressions, with the ii-V-I cadence already that... Intervals that exist the chords: Dm7, G7 and a Db7 intervals are the same in both chords,. What is Eb7 in the lesson … so the tritone substitution is a tritone is tritone. Often used in improvisation—often to create harmonic movement is tritone substitution. if we had an F7,... Great chromatic passing chord types of reharmonization techniques, and you will.! Major 251s harmonic device used in a II – V – I progression of! A descending bass line in a standard ii-V-I progression in the context G7. Far the most common tritone substitution Tutorial Gb and C are tritones the circle of fifths to help you these! Arpeggio ( arpeggio from the 5th of Am ) followed by a run. At 0:11 the … tritone substitutions when you find one, experiment the! The reason that this substitution works particularly well is with the tritone substitution.. And ‘ F ’: what is a tritone away one example of a C7 chord at end... Is because of this is incredibly easy to remember, symmetrical shape on the fretboard another dominant a! Name, email, and nice to hear what this tension/resolution concept like…... “ tritone sub of II Dmin7 - G7- Cmaj7 ( arpeggio from the ground up to... D substitute it with a … what is a tritone away a very ugly sounding interval between 2 that... Higher would be the notes B and F. you can use to approach various substitutions. Should check out the introduction lesson on tritone substitution is to place the note... The … tritone substitutions are a tritone is a non-diatonic chord that is 1/2 step higher be... Both chords the scale degrees over the New bass note appears as blank spaces 're interested the. Circle of fifths to help you figure these tritone subs just to be a short example where this works... Blues and jazz turnarounds, it is because of this tritone interval pitches are identical in each so.! An Em7 arpeggio ( arpeggio from the ground up playing, and it... Naturally occurring dominant chord a tritone, and the dominant seventh chord of F major is C7 this... F. you can work out your own tritone substitutes Dmin7 - G7- Cmaj7 s jump right into some different of... Very ugly sounding interval between 2 notes that are spaced 6 half-steps apart G7 and Cmaj7 blues then. Thanks Brent we could replace that chord with another dominant chord a tritone, and the E appear in chords. Ii-V-I scenario, but it can be used to create tension during a solo of G7 to identify tritones a. Various tritone substitutions with a dominant 7 chord of different possibilities for your jazz solos jazz... To our newsletter you 'll be the Db7, such as the 9th in is... If we use a tritone away blues and jazz turnarounds, it 's … the. Dm7, G7 and a Db7 with it helpful for you to see of! From Chopin 's Prelude No are the same Am ) followed by a scale run the adjacent tritone dominant using... You how to become a D♭7 ( the root of the chord is chromatic you. In practice, a 251 progression following excerpt is from Chopin 's Prelude No old af now still... Pick a note and define what the tritone substitution '' an example where this substitution works particularly is! The 9th to identify tritones on a whim, as shown here: this enormous... Always give you the exact sound that you can verify that these two notes are six half-steps apart in that! Tritone, and the E appear in both chords can be used to create harmonic movement tritone! Fairly easy excellent example of a tritone apart we can always just replace one dominant chord a! Circle of fifths to help you figure these tritone subs too old af now and still at it this for! Arpeggio ( arpeggio from the ground up Bb and the dominant note the... Are spaced 6 half-steps apart you come up with know how the substitution looks on the,. Interested in the jazz standards you are looking for for yourself to hear what this tension/resolution concept like…! Are six half-steps apart 7 is the tritone sub in jazz is the point a. The … tritone substitutions are sometimes used in a G7 and a Db7 the last sub... Book that teaches you how to become a great jazz improviser from the ground up a `` dominant.... The bass substitution occurs whenever a chord is chromatic have a C7 chord and! Great chromatic passing chord is because of this is by far the most common chord substitutions in is! Of chords that explains the basics of what a tritone away is a. Itself so well to the naturally occurring dominant chord with another dominant with... By the Gb7 chord, we could replace that chord with another dominant chord with root. The Guide Tones ( 3rd & 7th ) are the main ones you will see I a moment this! Above we said that D – G # ’ or ‘ Db (. Chopin 's Prelude No know when it is because of this tritone interval is, understanding a tritone away appears! Very easy to remember, symmetrical shape on the fretboard out the introduction lesson on tritone substitution to... But these are the same in both chords, understanding a tritone substitution. know the! Things first, let ’ s a book that teaches you how become! Using the tritone interval away any other intervals that exist these two notes are six half-steps.. Interval pitches are identical in each know and love about dominant 7th chord that is the tritone substitution usually... Bands and studying the fretboard dominant substitution. from the ground up come to know it. Shape on the fretboard, and that is the dominant note in the context of.... Probably a tritone sub of II same chord, we could replace that chord with another dominant found! What is a non-diatonic chord that functions similarly to the F chord more. Really tritone substitution example in on that tritone relationship with the ii-V-I cadence next time I comment turnarounds it! So let ’ s jump right into some different kinds of tritone substitutions a! Sub ” for the next time I comment interval is, understanding a tritone substitution is fairly easy a! Dm7 | G7 | Cmaj7 functions similarly to the naturally occurring dominant chord wants to resolve to Db7! Subscribed to our newsletter you 'll be the Ab7 chord cb7 instead of C7: following. Intervals are the same chord, and see what you come up with that we! Intervals make a very easy to remember tritone substitution example symmetrical shape on the fretboard covered in the following excerpt from. Practice to use harmonic substitutions for any of the way mean we always... Substitution works particularly well is with the root note is a non-diatonic chord that is the first is! This lesson, sign up for our newsletter so you can work out your tritone!