Glad to be of help, and nice to hear you're interested in the eBook! 0:34 – Part 1: Two Easy ways to Find the Tritone Sub for any Key Thanks! However, instead of a C7 chord, we hear a Gb7 chord. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. Save my name, email, and website in this browser for the next time I comment. In the key of G major, “G major” would be your I chord. The thing we are ultimately trying to achieve is to replace the naturally occurring “dominant V” chord in a key with another dominant chord. Le même travail est à faire dans toutes les positions et avec d’autres types de gammes ( pentatonique majeure par exemple…;-) c’est encore plus musical à mon goût. Right off the bat, you can conclude that by substituting a Db7 for a G7, it implies that the G7 has altered qualities. Required fields are marked *. For this next lick, I’m going to do something different. Have trouble trying to save thius lesson as PDF, the staffs appears as blank spaces. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. 8. By the way, we cover this topic in greater detail along with many other important harmonic concepts in our upcoming eBook Zero to Improv, which will be released in April 2017. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. So why does it want to ‘resolve’ to a C major chord. cheers for this!! It can be used to create a descending bass line in a II – V – I progression. For each type I’ll also provide a lick (short musical phrase) with audio to accompany, so you can understand what I’m talking about. For example, above we said that D – G# forms a tritone, and Bb – E as well. To make all of this musical for you, play through this lick over a tritone sub of V. Slightly less common than the sub for V, but one you will come across from time to time is the tritone sub of the minor vi or dominant VI. Now, the tritone sub of ii is often used in a minor blues situation. The tritone substitution corresponds to an altered version of the original chord, without the root (if you don't add a #11 to the tritone sub, which would correspond to the root of the original chord). I heard you're supposed to use the lydian dominant sound over tritone subs, but I noticed the Eb sub in the example above uses an Ab which is the natural 4th. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. If we use a tritone substitution the chords become Dmin7- Db7- CMaj7. The chromatic effect of the tritone. In this example it goes like this: D-Db-C. For Kubik, tritone substitution represents a rejection of the dominant seventh chord that defines European harmony; its ultimate source, rather, is in Africa. These chords are interchangeable because the tritone interval pitches are identical in each. D♭7 = D♭ F A♭ B This is by far the most common tritone substitution, so pay close attention. About the author: Pick a note and define what the tritone interval is. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Look at these combinations of ‘B’ and ‘F’: Now, since we know that this tritone interval has the tendency to pull back to something….and that something in this case is the C major chord….what if there was another chord that contains this same interval? Another example: see the notes that make up the E7 chord: E, G#, B, D. Between G# and D we have 3 tones distance. I’ve been playing in bands and studying the fretboard since I was 11. Study up on all of these, and you will have opened up a lot of different possibilities for your jazz improvisation! The “naturally occurring dominant” chord within a key can always be found in the outer circle, clockwise position: Since you know that the goal is to replace the G7 chord with something, you can simply just draw a straight line across the circle to find out what that something is: Now you have 2 simple ways to find the tritone sub for any given key: 1.) In the example I have only used the Eb Mel min scale, but if you want to do the same. 1. Advanced Tritone Substitution Tutorial. And it's … Lately ( Tritone example in Db with modulation) I can't help it - (in Ab starting on the tritone) The Secret life of Plants (in Db) Sir Duke (in B) From the bottom of my heart (in C) A separate PDF tutorial called "What is a tritone substitute? 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